Composer: Leoš Janáček
Performer: Hibla Gerzmava, Stuart Neill, Jan Martiník, Veronika Hajnová, Aleš Bárta, Prague Philharmonic Choir
Orchestra: Czech Philharmonic Orchestra
Conductor: Jiří Bělohlávek
Format: FLAC (tracks)
Label: Decca
Catalogue: 4834080
Release: 2018
Size: 1.77 GB
Recovery: +3%
Scan: yes
Glagolitic Mass, JW 3/9
01. 1. Uvod
02. 2. Gospodi pomiluji
03. 3. Slava
04. 4. Veruju
05. 5. Svet
06. 6. Agnece Bozij
07. 7. Varhany solo
08. 8. Intrada
Sinfonietta, JW 6/18
09. 1. Allegretto – Allegro – Maestoso
10. 2. Andante – Allegretto
11. 3. Moderato
12. 4. Allegretto
13. 5. Andante con moto
Taras Bulba, JW 6/15
14. 1. The death of Andri
15. 2. The death of Ostap
16. 3. The prophecy and the death of Taras Bulba
17. The Fiddler’s Child, JW 6/14
The late, great Czech conductor Jiří Bělohlávek was active until shortly before his death in May of 2017, and record companies have realized the high quality of his recordings of Czech music during his last years and rushed to issue it. This double-CD set from Decca of Leos Janáček’s music combines recordings from various sessions, although all were made at the Rudolfinium in Prague, a hall that Bělohlávek knew inside and out. There’s nothing here to quite match Bělohlávek’s shattering Ma Vlast with the Czech Philharmonic, also issued by Decca in 2018, and at some points in the symphonic poem Taras Bulba, based on Gogol’s novel, the Czech Philharmonic strings lack their usual sheen. But all the virtues of Bělohlávek’s conducting are on display here: his awesome attention to detail, his deliberate approach and way of making space for the long line, his profound Czech melodies. And you do get a joyous reading of the Sinfonietta, recorded just a few months before the conductor’s death. The main attraction, the Glagolitic Mass, is recommended. There are many recordings of this work, one of the few to apply late Romantic idioms to sacred music effectively (the title refers to the alphabet used to write the Old Slavonic text of the mass), but Bělohlávek and the Czech Philharmonic give it great weight and depth. A bonus is the early and underexposed tone poem The Fiddler’s child (1912), where you can almost sense Janáček straining to depart from Dvorák’s example. Recommended.