Composer: Antonín Dvořák
Performer: Eri Nakamura, Elisabeth Kulman, Michael Spyres, Jongmin Park, Prague Philharmonic Choir
Orchestra: Czech Philharmonic Orchestra
Conductor: Jiří Bělohlávek
Format: FLAC (tracks)
Label: Decca
Catalogue: 4831510
Release: 2017
Size: 1.38 GB
Recovery: +3%
Scan: yes
Stabat Mater, Op. 58, B.71
01. Stabat mater dolorosa
02. Quis est homo, qui non fleret
03. Eia mater, fons amoris
04. Fac ut ardeat cor meum
05. Tui nati vulnerati
06. Fac me vere tecum flere
07. Virgo virginum praeclara
08. Fac ut portem Christi mortem
09. Inflammatus et accensus
10. Quando corpus morietur
Antonín Dvorák’s Stabat Mater, Op. 58, truly merits the adjective “tragic”; it was written after the deaths of two of the composer’s children in succession, and his grief rolled out in great, Verdian waves. There are several strong recordings on the market, including an earlier one by conductor Jiří Bělohlávek himself, but for the combination of deep feeling, technical mastery from musicians and singers who have spent their lives getting to know the score, and soloists who not only sound beautiful but are seamlessly integrated into the flow, this Decca release may be the king of them all. To what extent was the strength of the performance motivated by Bělohlávek’s likely fatal illness (he died days after the album entered the top levels of classical charts in the spring of 2017)? It’s hard to say, although he also delivered top-notch performances of Dvorák’s Requiem in his last days. The members of the Prague Philharmonic Choir sing their hearts out in the gigantic, shattering opening chorus, which has rarely if ever had such a mixture of the impassioned and the perfectly controlled. Sample the chorus “Virgo virginium praeclara” to hear the magically suspended quality Bělohlávek brings out of the singers in lightly accompanied passages. The soloists, soprano Eri Nakamura, mezzo Elisabeth Kulman, tenor Michael Spyres, and bass Jongmin Park — an international group in this otherwise almost all-Czech production — are uniformly strong, but what stands out most is how inevitable their entrances sound. If this turns out to be Bělohlávek’s swan song, it is an accomplishment for the ages. Highest possible recommendation.