Composer: William Byrd
Performer: Westminster Cathedral Choir
Conductor: Martin Baker
Format: FLAC (tracks)
Label: Hyperion
Catalogue: CDA68038
Release: 2014
Size: 1.26 GB
Recovery: +3%
Scan: yes
Mass for five voices
01. I. Kyrie
02. II. Gloria
03. III. Credo
04. IVa. Sanctus
05. IVb. Benedictus
06. V. Agnus Dei
Mass for four voices
07. I. Kyrie
08. II. Gloria
09. III. Credo
10. IVa. Sanctus
11. IVb. Benedictus
12. V. Agnus Dei
Mass for three voices
13. I. Kyrie
14. II. Gloria
15. III. Credo
16. IVa. Sanctus
17. IVb. Benedictus
18. V. Agnus Dei
19. Ave verum Corpus
A new recording of the most perfect of Tudor masterpieces, Byrd’s three Mass-settings, from the cradle of their nineteenth-century rehabilitation. Westminster Cathedral Choir is enjoying a vintage period, and here we hear its trademark sound in all its glory: unfettered, natural singing from the trebles underpinned by warm yet clear tones from the gentlemen.
This recording celebrates Byrd’s Catholic Masses in two ways simultaneously. Most obviously, it addresses great and timeless works, which themselves address great and timeless liturgical texts. But at the same time it reminds us that the revival of Byrd’s Masses in the late nineteenth century was pioneered by Roman Catholic church choirs. This is a point worth pondering. Since the accession of Queen Elizabeth I in 1558, the choirs of England’s Protestant cathedrals and college chapels have had their own distinctive musical repertory, which has flourished and grown in unbroken tradition. The anthems and services of Thomas Tallis, for instance, have never fallen from cathedral use; they have been the epitome of Choral Evensong and Eucharist for more than four centuries. This Anglican repertory, however, is not what Roman Catholic worship requires. When major Catholic choral foundations were established in late Victorian and Edwardian England, at Downside Abbey, the Brompton Oratory, and above all at Westminster Cathedral, there was a quest for new and more relevant music; and it was at these places that William Byrd’s three Latin Masses were revived. Hence the pertinence of this recording; it celebrates that Catholic revival no less than it celebrates the works themselves.