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Aleksandra Brejza – Quasi Notturno (24/48 FLAC)

Aleksandra Brejza - Quasi Notturno (24/48 FLAC)
Aleksandra Brejza – Quasi Notturno (24/48 FLAC)

HiRes FLAC

Composer: Aleksandra Brejza
Performer: Małgorzata Furche-Jurczyk, Iryna Ushanova-Rudko, Adam Zaremba
Format: FLAC (tracks)
Label: Dux
Catalogue: DUX1726
Release: 2022
Size: 461 MB
Recovery: +3%
Scan: yes

01. In a pour a
02. Ptaszki japońskie
03. Hommage à nous

Songs for Voice & Piano
04. No. 1, Plejady
05. No. 2, Jesienne niebo
06. No. 3, Oczy na skrzydłach

07. Quasi notturno
08. Obłoki
09. W mojej ojczyźnie
10. Study of Nomos

Aleksandra Brejza is a graduate of the Department of Composition and Theory of Music of the Feliks Nowowiejski Academy of Music in Bydgoszcz in the composition class of Prof. Franciszek Wozniak. She participated in the Young Composer Courses organized by the Polish Composers’ Union (1988) and in the International Composers’ Courses held as part of the Bartók Seminar in Szombathely, Hungary (1992). Her output includes mainly chamber pieces (especially piano pieces and songs), choral compositions, larger vocal and instrumental forms as well as compositions for children. Aleksandra Brejza’s pieces have been performed in, among others, Poland, Germany, France, the USA, Russia, the Czech Republic, Hungary, Ukraine, Latvia, and Lithuania. Her works have been conducted by, Michal Nesterowicz, Anna Szostak, Andris Vecumnieks, and Kinga Litowska. The composer was twice awarded in the Tadeusz Baird Competition for Young Composers of the Polish Composers’ Union for her String Quartet (1989) and Ultima moriar for great symphony orchestra (1993). She also received the 1st honorable mention and the Award of the Mayor of the City of Gdansk in the International Composers’ Competition ‘Pomorski Siew sw. Wojciecha’ for Kantyczki for mixed choir (1996). She is also a finalist of the New London Choir Choral Composition Prize 2000 (for Psalm Iudica me! for mixed choir) and winner of the 2nd prize in the National Psalmodic Competition in Katowice (2002).

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