Composer: Béla Bartók, Luigi Boccherini, John Dowland, Manuel de Falla, Enrique Granados, Franz Joseph Haydn, Wolfgang Amadeus Mozart, Astor Piazzólla, Joaquin Rodrigo
Performer: Sebastian Schmidt, Friedemann Wuttke, Winfried Holzenkamp, Felix Matzura, Minguet Quartett, David Braccini, Sarah Maria Sun, Jochen Feucht, Werner Matzke
Orchestra: Südwestdeutsches Kammerorchester Pforzheim, New Moscow Chamber Orchestra
Conductor: Timo Handschuh, Igor Zhukov, Sebastian Tewinkel
Format: FLAC (tracks)
Label: Profil Medien
Catalogue: PH19067
Release: 2020
Size: 326 MB
Recovery: +3%
Scan: yes
Mozart: Piano Sonata No. 11 in A major, K331 ‘Alla Turca’
01. III. Alla turca (Arr. for Violin & Guitar)
02. Piazzólla: Oblivion
03. Piazzólla: Escualo
04. Piazzólla: Chiquilin de Bachin
05. Piazzólla: Adiós Nonino
Piazzólla: Concerto for Bandoneon, Guitar & Orchestra ‘Hommage à Liege’
06. III. Tango
Granados: Danzas españolas, Op. 37 Nos. 1-12
07. No. 2, Oriental (Arr. for Guitar & String Quartet)
08. No. 3, Fandango (Arr. for Guitar, String Quartet & Castanets)
Haydn: String Quartet, Op. 2 No. 2 in E major
09. III. Adagio
10. V. Presto
Bartók: Romanian Folk Dances, Sz. 56, BB 68
11. No. 1, Joc cu bâtǎ – No. 2, Brâul – No. 3, Pê-loc
Boccherini: Guitar Quintet in E minor, G451
12. III. Minuetto
13. IV. Allegretto
Rodrigo: Fantasia para un Gentilhombre
14. IV. Canario
15. Dowland: In darkness let me dwell
Falla: El sombrero de tres picos
16. Danza del molinero (Arr. for Guitar, String Quartet & Castanets) [Live]
Friedemann Wuttke, the internationally recognised guitarist, joins forces here with his musical friends and companions. The result is an entertaining programme which not only shows the musical association of these friends, but also demonstrates how eras and nations are connected through music. A colourful collection of interesting, popular pieces has come into being. This ranges from the Renaissance to the 20th century; from Argentina to Spain. We thus arrive at a very exciting interplay between widely diverging styles and a great variety of musicians, in musical encounters that arose from two decades of international concert appearances. The guitar is joined by various contributors who are carried away by the lightness and charm that Friedemann Wuttke allows to prevail through his choice of pieces. In everything, the will of the guitarist to do justice to his instrument, to the composers, and also to the listener, is displayed in ways that are both entertaining and demanding.