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Paolo Da Col – Sacrarum Cantionum. Quinque Vocibus (24/48 FLAC)

Paolo Da Col - Sacrarum Cantionum. Quinque Vocibus (24/48 FLAC)
Paolo Da Col – Sacrarum Cantionum. Quinque Vocibus (24/48 FLAC)

Performer: Liuwe Tamminga, Ensemble Mare Nostrum, Odhecaton
Conductor: Andrea De Carlo, Paolo Da Col
Format: FLAC (tracks)
Label: Ricercar
Release: 2014
Size: 661 MB
Recovery: +3%
Scan: yes

Carlo Gesualdo:
Sacrarum Cantionum quinque vocibus, Liber primus
01. O vos omnes

Giovanni Maria Trabaci:
02. Consonanze stravaganti

Carlo Gesualdo:
Sacrarum Cantionum quinque vocibus, Liber primus
03. Domine, ne despicias deprecationem meam
04. Sancti Spiritus, Domine
05. Exaudi, Deus, deprecationem meam
06. Venit lumen tuum
07. Illumina faciem tuam

Giovanni de Macque:
08. Intrata d’organo

Carlo Gesualdo:
Sacrarum Cantionum quinque vocibus, Liber primus
09. Maria, Mater gratiae
10. Precibus et meritis
11. Ave, dulcissima Maria
12. Dignare me laudare te
13. Ave Regina cœlorum

Luzzasco Luzzaschi:
14. Ave Maris stella

Carlo Gesualdo:
Sacrarum Cantionum quinque vocibus, Liber primus
15. Hei mihi Domine
16. Tribulationem et dolorem
17. Peccantem me quotidie
18. Reminiscere miserationum tuarum
19. Tribularer si nescirem
20. Laboravi in gemitu meo
21. Deus, refugium et virtus

Giovanni de Macque:
22. Consonanze stravaganti

Carlo Gesualdo:
Sacrarum Cantionum quinque vocibus, Liber primus
23. O Crux benedicta

Although the madrigals of Carlo Gesualdo da Venosa constitute the best-known part of his oeuvre, his religious music is no less important, revealing a completely different facet of the composer. Aside from the Responsoria (1611), of which Philippe Herreweghe recently made a magnificent recording (LPH 010), most of Gesulado’s religious music was published in 1603 under the title Sacrarum cantionum. Unlike the Responsoria, intended for Holy Week services, the motets of 1603 are settings of texts for all circumstances of the liturgical year. For this recording, made in the Santa Trinità abbey church in Venosa, ODHECATON has enriched the sound palette of its men’s voices with a few instruments, including an ensemble of violas da gamba. Liuwe Tamminga counterpoints this programme with selected pieces by Giovanni Maria Trabaci and Giovanni de Macque on an historical organ of the Venosa region.

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