Skip to content
Home » Classical Downloads » Hi-Res Downloads » 24bit/96kHz » Noriko Ogawa plays Mozart Sonatas K.330, 331, 332 (24/96 FLAC)

Noriko Ogawa plays Mozart Sonatas K.330, 331, 332 (24/96 FLAC)

Noriko Ogawa plays Mozart Sonatas K.330, 331, 332 (24/96 FLAC)
Noriko Ogawa plays Mozart Sonatas K.330, 331, 332 (24/96 FLAC)

HiRes FLAC

Composer: Wolfgang Amadeus Mozart
Performer: Noriko Ogawa
Format: FLAC (tracks)
Label: BIS
Catalogue: BIS1985
Release: 2013
Size: 1.13 GB
Recovery: +3%
Scan: yes

Piano Sonata No. 10 in C major, K330
01. I. Allegro moderato
02. II. Andante cantabile
03. III. Allegretto

Piano Sonata No. 11 in A major, K331 ‘Alla Turca’
04. I. Theme and Variations. Andante grazioso
05. II. Menuetto
06. III. Alla turca: Allegretto

Piano Sonata No. 12 in F major, K332
07. I. Allegro
08. II. Adagio
09. III. Allegro assai

Noriko Ogawa follows her recordings of Debussy’s solo piano works (BISCD1955/56) and Rachmaninov’s First and Fourth Piano Concertos (BIS-CD-975) with three piano sonatas by Mozart. The three sonatas here are often grouped together as ‘the Paris Sonatas’. At the time, Mozart was establishing himself in Vienna, and composed piano sonatas to exploit the growing market for printed music and to use as teaching material. More than 200 years later these particular sonatas remain among Mozart’s best-loved compositions.

While its unpretentious cover photo and small text don’t proclaim it as an important recording, Noriko Ogawa’s 2012 SACD of Mozart piano sonatas is the kind of sleeper album that quietly asserts its value and convinces purely through the beauty of the music. The three piano sonatas presented here also have that kind of unassuming quality. Mozart composed them as teaching pieces, suitable for players of modest skills, yet they have become extremely popular and rank among his best loved works. Ogawa plays them with a light touch that suits their simplicity, and her interpretations of K. 330, K. 331 (famous for its Rondo alla Turca), and K. 332 are transparent and almost naïve, but for the subtlety of attack, balanced phrasing, and shaded dynamics that reveal her artistry. BIS provides nearly ideal sound quality for Ogawa, offering clean reproduction and reasonably close microphone placement that make listening effortless. While there are no indications that this is an installment in a forthcoming series of the complete piano sonatas, one would hope that Ogawa has much more Mozart to offer, because this is an exquisite presentation that other pianists should envy. Highly recommended.

Leave a Reply