Composer: Anthoni van Noordt
Performer: Léon Berben
Number of Discs: 2
Format: FLAC (tracks)
Label: Ramée
Catalogue: RAM2201
Release: 2023
Size: 5.06 GB
Recovery: +3%
Scan: yes
CD 01
01. anon.: Camphuysen Manuscript: Psalm 65
Noordt: Tabulatuurboeck van Psalmen en Fantasyen
02. Fantasia No. 2
03. Psalm 15
04. Psalm 38
05. Psalm 6
06. Fantasia No. 5
07. Psalm 7
08. anon.: Camphuysen Manuscript: Psalm 5
09. anon.: Lübbenauer Tabulatur: Psalm 5
Noordt: Tabulatuurboeck van Psalmen en Fantasyen
10. Psalm 2
11. Fantasia No. 1
12. Psalm 50
13. anon.: Lübbenauer Tabulatur: Psalm 66
Noordt: Tabulatuurboeck van Psalmen en Fantasyen
14. Fantasia No. 6
CD 02
Noordt: Tabulatuurboeck van Psalmen en Fantasyen
01. Psalm 119
02. anon.: Camphuysen Manuscript: Psalm 116
03. anon.: Lübbenauer Tabulatur: Psalm 116
Noordt: Tabulatuurboeck van Psalmen en Fantasyen
04. Psalm 116
05. Fantasia No. 3
06. anon.: Camphuysen Manuscript: Psalm 100
07. anon.: Lübbenauer Tabulatur: Psalm 100
Noordt: Tabulatuurboeck van Psalmen en Fantasyen
08. Psalm 22
09. Fantasia No. 4
10. anon.: Camphuysen Manuscript: Daphne
11. anon.: Lübbenauer Tabulatur: Psalm 24
Noordt: Tabulatuurboeck van Psalmen en Fantasyen
12. Psalm 24
leon-berben-anthoni-van-noordt-tabulatuurboeck-van-psalmen-en-fantasyen-24192-02.rar – 2.6 GB
Very little is known about the life of Anthoni van Noordt. Following in the tradition of Jan Piertszoon Sweelinck, he was organist at the Nieuwe Kerk in Amsterdam from 1664. After the death of Dirck Sweelinck in 1652, the van Noordt family became Amsterdam’s most important musical family. The van Hagerbeer organ in the Pieterskerk in Leiden, a large 17th-century Dutch city organ with a wide variety of stops, is particularly well suited for the performance of van Noordt’s music. The organ still has many of the characteristics of a traditional Renaissance organ, but the earlier preference for strongly contrasting timbres has given way to greater homogeneity, generally tending towards a somewhat darker sound. Also new is the striving for solemnity and weight, expressed above all in the disposition of a 24′ in the Hauptwerk and a Trompete 16′ in the Pedal. The old variety of reed stops has disappeared, however, but there are still several higher stops such as Nasard 11⁄2′, Sifflet 1′ and Tertiaan. Léon Berben offers us a colourful and lushly ornamented reading of van Noordt’s 1659 Tabulatuurboeck van Psalmen en Fantasyen.