Composer: Georges Auric, Mel Bonis, Henri Cliquet-Pleyel, Emmanuel Durlet, Henri Dutilleux, Pierre-Octave Ferroud, Reynaldo Hahn, Jacques Ibert, Désiré-Émile Inghelbrecht, André Messager, Darius Milhaud, Henri Pierné, Maurice Ravel, Manuel Rosenthal, Camille Saint-Saëns, Erik Satie, Pierre Vellones, Jean Wiener
Performer: Gottlieb Wallisch
Format: FLAC (tracks)
Label: Grand Piano
Catalogue: GP855
Release: 2022
Size: 1.02 GB
Recovery: +3%
Scan: yes
Saint-Saëns: Lola, Op. 116
01. Tango
02. Satie: La diva de l’empire
Satie: Parade
03. IV. Rag-Time du paquebot (Arr. H. Ourdine for Piano)
04. Milhaud: Caramel Mou, Op. 68
Cliquet-Pleyel: 2 Blues
05. No. 1, Come Along (Version for Piano)
06. No. 2, Far Away (Version for Piano)
Messager: L’amour masqué
07. Tango chanté (Arr. for Piano)
08. Éricourt: Pièce en forme de rag
Rosenthal: 8 Bagatelles
09. No. 6, Rag
Pierné: Impressions de music-hall, Op. 47
10. I. Rideau-Girls (Arr. for Piano)
Hahn: Le temps d’aimer
11. Charleston (Arr. for Piano)
Hahn: Une revue
12. Los Enamorados (Arr. for Piano)
Inghelbrecht: Le diable dans le beffroi
13. Little Black Man (Arr. for Piano)
Ravel: L’enfant et les sortilèges
14. Five O’Clock Fox-Trot (Arr. H. Gil-Marchex for Piano)
15. Wiener: Haarlem
Wiener: Olive chez les nègres, ou Le village blanc
16. The White Village One-Step (Version for Piano)
Ferroud: 13 Danses
17. The Bacchante
Bonis: Petites pièces, Op. 119
18. No. 3, Boston valse
Benoist-Méchin: Équateur
19. No. 5, Rag-Nocturne (Version for Piano)
20. Auric: Magic-Park
21. Auric: Tango-Nocturne
22. Vellones: Biarritz-Fox
23. Ibert: Burlesque-Fox
24. Dutilleux: Fox
25. Mouton: Jumbo’s Two-Step (Arr. for Piano)
26. Lensen: Siberia (Arr. for Piano)
27. Baeyens: Jazz fantaisie
28. Doucet: Montparnasse
29. Doucet: Wiener Luft
30. Durlet: Tragische Tango
Gottlieb Wallisch continues his acclaimed survey of jazz-influenced piano literature. In this volume we explore le tumulte noir (“the Black craze”) in the French-speaking countries after the First World War, taking us to Paris and Brussels where the mood was hot for dancing. The fashionable status of this new craze attracted writers, composers, intellectuals and artists from all over the world, with American jazz music as the latest rage in the cafes and bistros of the day. The influence of dances from overseas spread like wildfire, taking hold amongst French and Belgian composers eager to free themselves from Germanic Wagnerism while riding the wave of popularity of hit records and cinema.