Conductor: Joseph Keilberth
Format: FLAC (tracks)
Label: Warner
Catalogue: 9029568926
Release: 2018
Size: 7.12 GB
Recovery: +3%
Scan: cover
Mozart: Symphony No. 28 in C major, K200
01. I. Allegro spiritoso
02. II. Andante
03. III. Menuet – Trio
04. IV. Presto
Mozart: Symphony No. 30 in D major, K202
05. I. Molto allegro
06. II. Andantino con moto
07. III. Menuetto – Trio
08. IV. Presto
Mozart: Symphony No. 35 in D major, K385 ‘Haffner’
09. I. Allegro con spirito
10. II. Andante
11. III. Menuetto
12. IV. Presto
Mozart: Symphony No. 36 in C major, K425 ‘Linz’
13. I. Adagio – Allegro spiritoso
14. II. Andante
15. III. Menuetto
16. IV. Presto
Mozart: Symphony No. 38 in D major, K504 ‘Prague’
17. I. Adagio – Allegro
18. II. Andante
19. III. Finale (Presto)
Mozart: Symphony No. 39 in E flat major, K543
20. I. Adagio – Allegro
21. II. Andante con moto
22. III. Menuetto (Allegretto)
23. IV. Finale (Allegro)
Mozart: Symphony No. 40 in G minor, K550
24. I. Molto allegro
25. II. Andante
26. III. Menuetto (Allegretto)
27. IV. Allegro assai
Mozart: Symphony No. 41 in C major, K551 ‘Jupiter’
28. I. Allegro vivace
29. II. Andante cantabile
30. III. Menuetto (Allegretto)
31. IV. Molto allegro
Mozart: Serenade No. 6 in D major, K239 ‘Serenata Notturna’
32. I. Marcia Maestoso
33. II. Menuetto
34. III. Rondeau (Allegretto)
Mozart: Notturno in D Major, K. 286 / 269a
35. I. Andante
36. II. Allegretto grazioso
37. III. Menuetto
Mozart: Serenade No. 13 in G major, K525 ‘Eine kleine Nachtmusik’
38. I. Marcia (Maestoso)
39. II. Andante
40. III. Menuetto (Allegretto)
41. IV. Allegro assai
Mozart: 2 Minuets, K. 463 / 448c
42. No. 1 in F Major
43. No. 2 in B-Flat Major
Mozart: Divertimento No. 1 in E flat major, K113
44. I. Allegro
45. II. Andante
46. III. Menuetto
47. IV. Allegro
Mozart: Divertimento in D major, K131
48. I. Allegro
49. II. Adagio
50. III. Menuetto
51. IV. Allegretto
52. V. Menuetto
53. VI. Adagio – Allegro molto
Mozart: German Dances, K509
54. No. 1 in D Major
55. No. 2 in G Major
56. No. 3 in E-Flat Major
57. No. 4 in F Major
58. No. 5 in A Major
59. No. 6 in C Major
Mozart: Der Schauspieldirektor, K486
60. Overture
Mozart: Die Zauberflöte, K620
61. Overture
Haydn: Symphony No. 85 in B flat major ‘La Reine’
62. I. Adagio – Vivace
63. II. Romanze – Allegro
64. III. Menuetto
65. IV. Finale – Presto
Haydn: Symphony No. 101 in D major ‘The Clock’
66 .I. Adagio – Presto
67. II. Andante
68. III. Menuett – Allegretto
69. IV. Finale – Vivace
70. Beethoven: Coriolan Overture, Op. 62
71. Beethoven: Leonore Overture No. 3, Op. 72b
Beethoven: The Ruins of Athens Overture, Op. 113
72. I. Overture
73. IV. Marcia alla Turca
74. Weber: Euryanthe Overture
75. Weber: Der Freischütz Overture
Beethoven: Symphony No. 1 in C major, Op. 21
76. I. Adagio molto – Allegro con brio
77. II. Andante cantabile con moto
78. III. Menuetto – Allegro molto e vivace
79. IV. Finale – Adagio – Allegro molto e vivace
Beethoven: Symphony No. 3 in E flat major, Op. 55 ‘Eroica’
80. I. Allegro con brio
81. II. Marcia funebre – Adagio assai
82. III. Scherzo – Allegro vivace
83. IV. Finale – Allegro molto
84. Beethoven: Fidelio Overture Op. 72c
Beethoven: Symphony No. 2 in D major, Op. 36
85. I. Adagio molto – Allegro con brio
86. II. Larghetto
87. III. Scherzo – Allegro
88. IV. Allegro molto
Beethoven: Symphony No. 4 in B flat major, Op. 60
89. I. Adagio – Allegro vivace
90. II. Adagio
91. III. Allegro vivace – Un poco meno Allegro
92. IV. Allegro ma non troppo
93. Beethoven: Egmont Overture, Op. 84
Beethoven: Symphony No. 5 in C minor, Op. 67
94. I. Allegro con brio
95. II. Andante con moto
96. III. Scherzo – Allegro
97. IV. Allegro
Beethoven: Symphony No. 6 in F major, Op. 68 ‘Pastoral’
98. I. Allegro ma non troppo
99. II. Andante molto mosso
100. III. Allegro
101. IV. Allegro
102. V. Allegretto
Beethoven: Symphony No. 7 in A major, Op. 92
103. I. Poco sostenuto – Vivace
104. II. Allegretto
105. III. Presto – Assai meno presto
106. IV. Allegro con brio
Beethoven: Symphony No. 8 in F major, Op. 93
107. I. Allegro vivace e con brio
108. II. Allegretto scherzando
109. III. Tempo di Menuetto
110. IV. Allegro vivace
Schubert: Symphony No. 8 in B minor, D759 ‘Unfinished’
111. I. Allegro moderato
112. II. Andante con moto
Schubert: Symphony No. 6 in C major, D589
113. I. Adagio – Allegro
114. II. Andante
115. III. Scherzo – Presto; Trio – Piu lento
116. IV. Allegro moderato
117. Mendelssohn: Calm Sea and Prosperous Voyage, Op. 27
118. Mendelssohn: Hebrides Overture, Op. 26
Schumann: Symphony No. 1 in B flat major, Op. 38 ‘Spring’
119. I. Andante un poco maestoso – Allegro molto vivace
120. II. Larghetto
121. III. Andante un poco maestoso – Allegro molto vivace
122. IV. Andante un poco maestoso – Allegro molto vivace
Grieg: Peer Gynt Suite No. 1, Op. 46
123. I. Morning Mood
124. II. Death of Aase
125. III. Anitra’s Dance
126. IV. In the Hall of the Mountain King
Grieg: Peer Gynt Suite No. 2, Op. 55
127. I. The Abduction of the Bride – Ingrid’s Lament
128. II. Arabian Dance
129. III. Peer Gynt’s Homecoming (Stormy Evening on the Sea)
130. IV. Solveig’s Song
Brahms: Symphony No. 1 in C minor, Op. 68
131. I. Un poco sostenuto – Allegro
132. II. Andante sostenuto
133. III. Un poco allegretto e grazioso
134. IV. Adagio – Piu Andante – Allegro non troppo ma con brio
Brahms: Symphony No. 3 in F major, Op. 90
135. I. Allegro con brio
136. II. Andante
137. III. Poco Allegretto
138. IV. Allegro
Brahms: Symphony No. 2 in D major, Op. 73
139. I. Allegro non troppo
140. II. Adagio non troppo
141. III. Allegretto grazioso (Quasi andantino) – Presto ma non assai
142. IV. Allegro con spirito
Brahms: Symphony No. 4 in E minor, Op. 98
143. I. Allegro non troppo
144. II. Andante moderato
145. III. Allegro giocoso
146. IV. Allegro energico e passionato
147. Brahms: Tragic Overture, Op. 81
Brahms: 21 Hungarian Dances, WoO 1
148. No. 3 in F Major (Orch. Schmeling)
149. No. 10 in F Major (Orch. Schmeling)
150. No. 1 in G Minor (Orch. Schmeling)
151. Brahms: Academic Festival Overture, Op. 80
152. Smetana: Má Vlast: Vltava
153. Smetana: Má Vlast: Z ceských luhu a háju
154. Dvořák: Carnival Overture, Op. 92
155. Strauss II: Morgenblätter, Op. 279
156. Strauss II: Persischer-Marsch, Op. 289
157. Strauss II: An der schönen blauen Donau, Op. 314
158. Strauss II: Künstlerleben, Op. 316
159. Strauss II: Wein, Weib und Gesang op. 333
160. Strauss II: Kaiser-Walzer, Op. 437
161. Strauss II: Tritsch-Tratsch-Polka, Op. 214
162. Strauss II: Rosen aus dem Süden, Op. 388
163. Strauss II: Annen-Polka, Op. 117
164. Strauss II: Perpetuum Mobile, Op. 257
165. Strauss II: Leichtes Blut, Op. 319
166. Strauss II: Accelerationen, Op. 234
167. Strauss II: Ägyptischer Marsch, Op. 335
168. Strauss II: Wiener Blut, Op. 354
Dvořák: Slavonic Dances Nos. 1-8, Op. 46 Nos. 1-8
169. No. 1 in C Major
170. No. 2 in E Minor
171. No. 3 in A-Flat Major
172. No. 4 in F Major
173. No. 5 in A Major
174. No. 6 in D Major
175. No. 7 in C Minor
176. No. 8 in G Minor
Dvořák: Slavonic Dances Nos. 9-16, Op. 72 Nos. 1-8
177. No. 1 in B Major
178. No. 2 in E Minor
179. No. 3 in F Major
180. No. 4 in D-Flat Major
181. No. 5 in B-Flat Minor
182. No. 6 in B-Flat Major
183. No. 7 in C Major
184. No. 8 in A-Flat Major
Dvořák: Symphony No. 9 in E minor, Op. 95 ‘From the New World’
185. I. Adagio – Allegro molto
186. II. Largo
187. III. Scherzo (Molto vivace)
188. IV. Finale (Allegro con fuoco)
Dvořák: Cello Concerto in B minor, Op. 104
189. I. Allegro
190. II. Adagio, ma non troppo
191. III. Finale – Allegro moderato
Wagner: Die Meistersinger von Nürnberg
192. Prelude to Act 1
193. Prelude to Act 3
Bruckner: Symphony No. 9 in D Minor
194. I. Feierlich, misterioso
195. II. Scherzo (Bewegt, lebhaft)
196. III. Adagio (Langsam, feierlich)
Bruckner: Symphony No. 6 in A major
197. I. Majestoso
198. II. Adagio (Sehr feierlich)
199. III. Scherzo (Nicht schnell)
200. IV. Bewegt, doch nicht zu schnell
201. Strauss: Till Eulenspiegels lustige Streiche, Op. 28, TrV 171
Strauss: Die schweigsame Frau, Op. 80, TrV 265
202. Potpourri
203. Strauss: Don Juan, Op. 20, TrV 156
Strauss: 4 Symphonic Interludes from “Intermezzo”, Op. 72, TrV 246a
204. I. Reisefieber Zwischenspiele
205. II. Träumerei am Kamin
206. III. Am Spieltisch
207. IV. Fröhlicher Beschluss
208. Strauss: Waltz Sequence No. 1 from “Der Rosenkavalier”, Op. 59, TrV 227c
209. Strauss: Waltz Sequence No. 2 from “Der Rosenkavalier”, Op. 59, TrV 227a
210. Strauss: Salome, Op. 54, TrV 215: Dance of the Seven Veils
Wagner: Lohengrin
211. Prelude to Act 1
212. Prelude to Act 3
Reger: Eine Ballettsuite, Op. 130
213. I. Entrée
214. II. Colombine
215. III. Harlequin – Vivace
216. IV. Pierrot und Pierrette – Larghetto
217. V. Valse d’amour
218. VI. Finale – Presto
Reger: Variations and Fugue on a Theme by Hiller, Op. 100
219. I. Thema – Andante grazioso
220. II. Variation No. 1 – Più Andante
221. III. Variation No. 2 – Allegro con grazia
222. IV. Variation No. 3 – Vivace
223. V. Variation No. 4 – Poco Vivace
224. VI. Variation No. 5 – Andante sostenuto
225. VII. Variation No. 6 – Tempo di Menuetto
226. VIII. Variation No. 7 – Presto
227. IX. Variation No. 8 – Andante con moto
228. X. Variation No. 9 – Allegro con spirito
229. XI. Variation No. 10 – Allegro appassionata
230. XII. Variation No. 11 – Andante con moto
231. XIII. Fuge – Allegro moderato
Reger: Variations and Fugue for Orchestra on a Theme by Mozart, Op. 132
232. I. Thema – Andante grazioso
233. II. Variation No. 1 – L’istesso tempo
234. III. Variation No. 2 – Poco agitato
235. IV. Variation No. 3 – Con moto
236. V. Variation No. 4 – Vivace
237. VI. Variation No. 5 – Quasi presto
238. VII. Variation No. 6 – Sostenuto
239. VIII. Variation No. 7 – Andante grazioso
240. IX. Variation No. 8 – Molto sostenuto
241. X. Fuge – Allegretto grazioso
Hindemith: Nobilissima Visione
242. I. Einleitung und Rondo
243. II. Marsch und Pastorale
244. III. Passacaglia
Hindemith: Symphonic Metamorphoses on Themes by Carl Maria von Weber
245. I. Allegro
246. II. Turandot – Scherzo
247. III. Andantino
248. IV. Marsch
20th July 2018 marks the 50th anniversary of the death of the German conductor Joseph Keilberth. His name is perhaps not so widely remembered as some of his contemporaries, but he was an important figure in the musical life of Germany in the mid-20th century and has sometimes been described as the true successor to Wilhelm Furtwängler.