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Siggi String Quartet – South of the Circle (24/192 FLAC)

Siggi String Quartet - South of the Circle (24/192 FLAC)
Siggi String Quartet – South of the Circle (24/192 FLAC)

Composer: Daníel Bjarnason, Una Sveinbjarnardóttir, Valgeir Sigurðsson, Mamiko Dís Ragnarsdóttir, Haukur Tómasson
Performer: Siggi String Quartet
Format: FLAC (tracks)
Label: Dorian Sono Luminus
Release: 2019
Size: 2.01 GB
Recovery: +3%
Scan: yes

Daníel Bjarnason:
01. Stillshot

Una Sveinbjarnardóttir:
Opacity
02. I. More
03. II. Opacity
04. III. Elegia
05. IV. Less

Valgeir Sigurðsson:
Nebraska
06. I. Flat Water
07. II. Landlocked
08. III. Erosion
09. IV. Plainsong

Mamiko Dís Ragnarsdóttir:
10. Fair Flowers

Haukur Tómasson:
11. Serimonia

Siggi String Quartet was founded in 2012 during the Young Scandinavian Composers festival in Reykjavik. The quartet has actively collaborated with current composers and commissioned and premiered numerous works by various composers. The quartet’s repertoire extends from the renaissance through the classical masters and Siggi String Quartet four members have great passion for 20 and 21th century repertoire. “Experimenting with sound and texture, improvisation and life electronics is an important part of our work. It does deepen our understanding of the standard repertoire indirectly, and it goes both ways.” Playing a late Beethoven parallel to working on Haukur Tómasson Serimonia makes us aim for rhythmical super-precision and working on Mamiko Dís Ragnarsdóttir Fair Flowers after performing the same Beethoven pushed us into the long phrases, picturing endless moss, grey and green and the tiny wild Icelandic flowers in bright violet and yellow. Una Sveinbjarnardóttir´s piece Opacity is more free, the structure is simple and the improvisando feeling is reigning. Daníel Bjarnason wrote Stillshot in 2015. The piece is dreamy and nostalgic and in form resembles a chaconne, where the same chord progression repeats itself throughout. In the middle of the piece there is a retreat from the harmonic structure before it resumes the form until the end. The composer describes the piece as depicting fragmented memories of a noblewoman. The recollections appear abruptly and vanish quickly, some of them distant but others more focused and clear. The title of the piece refers to the early days of photography where people would have to stay still for considerable time so the camera would produce a clear picture.

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