Composer: Franz Anton Hoffmeister, Gioacchino Antonio Rossini
Performer: Minna Pensola, Antti Tikkanen, Tuomas Lehto, Niek de Groot
Format: FLAC (tracks)
Label: BIS
Release: 2019
Size: 1.36 GB
Recovery: +3%
Scan: yes
Rossini: Sonata a quattro No. 4 in B flat major
01. I. Allegro vivace
02. II. Andante
03. III. Allegretto
Hoffmeister: Double Bass Quartet No. 3
04. I. Moderato
05. II. Adagio
06. III. Tempo di minuetto
Rossini: Sonata a quattro No. 5 in E flat major
07. I. Allegro vivace
08. II. Andante
09. III. Allegretto
Hoffmeister: Double Bass Quartet No. 4
10. I. Allegro moderato
11. II. Menuett
12. III. Andante
13. IV. Rondo
Rossini: Sonata a quattro No. 6 in D major ‘La tempesta’
14. I. Allegro spirituoso
15. II. Andante assai
16. III. Allegro
This second and last volume completes two different sets of string quartets: the four so-called Solo Quartets by Franz Anton Hoffmeister and Gioachino Rossini’s six String Sonatas (or Sonate a quattro). Both sets differ from the ‘normal’ configuration in that they allow a double bass to take part, albeit in different roles. Rossini, who composed his sonatas at the age of 12 (!), left out the viola and gave the double bass a more or less conventional bass role – apart from the occasional virtuosic outburst. The sonatas were first published in an arrangement for traditional string quartet and are often heard performed by string orchestras.In Vienna, where he was active as a composer and music publisher, Hoffmeister (1754-1812) chose a different solution than Rossini and gave his double bass player a leading role in the ensemble, letting it replace the first violin. It was no coincidence that this happened in Vienna – considering the amount of solo works for the double bass composed there, the standard of playing must have been exceptional. On the present recording, it is the Dutch player Niek de Groot who takes up Hoffmeister’s challenge in the company of a Finnish trio consisting of Minna Pensola, Antti Tikkanen and Tuomas Lehto. Featuring the same team, Volume 1 (BIS-2317) was described by a reviewer in Gramophone as ‘entertaining, effortlessly enjoyable and beautifully performed’ upon its release in 2017.