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Mazzoli, Dang: Chant dans la nuit (24/96 FLAC)

Mazzoli, Dang: Chant dans la nuit (24/96 FLAC)
Mazzoli, Dang: Chant dans la nuit (24/96 FLAC)

Performer: Filippo Mazzoli, Nathalie Dang
Audio CD
Number of Discs: 1
Format: FLAC (tracks)
Label: Dynamic
Size: 1 GB
Recovery: +3%
Scan: yes

01. Seitz, A: Chant dans la nuit, Op. 14 (Arr. for Flute & Violin)
02. Boulanger, L: Nocturne (Arr. for Flute & Piano)
03. Fontbonne Léon: Chasse aux Papillons, Op. 30 “Sérénade”
04. Gaubert: 2 Esquisses. No. 1, Soir sur la plaine
05. Gaubert: 2 Esquisses. No. 2, Orientale
06. Chrétien: Vision
07. Masson, L: 3 Pieces. No. 1, Allegro vivace
08. Masson, L: 3 Pieces. No. 2, Andante
09. Masson, L: 3 Pieces. No. 3, Valse lente
10. Lalo: Introduction & Allegretto from the Ballet “Namouna” (Arr. for Flute & Piano)
11. Leroux, X: Le Nil (Arr. for Flute & Piano)
12. Moret, E: Nuit de langueur, nuit de mensonge (Arr. for Flute & Piano)
13. Coedès-Mongin: Suite, Op. 5. I. Conte gris
14. Coedès-Mongin: Suite, Op. 5. II. Tarantelle
15. Lefort: Sur l’eau, barcarolle
16. Guilmant: Romance sans paroles, Op. 85 (Version for Flute & Piano)
17. Taffanel: Fantaisie (After A. Thomas’ Francesca de Rimi)

This release features a collection of works for flute and piano written by a group of contrasting French composers during the exciting Belle Époque period, which occurred between the end of the 19th and the first half of the 20th century. ‘Chant dans la nuit’ is the outcome of a ten-year project which has involved flautist Filippo Mazzoli and pianist Nathalie Dang in intense, pioneering research conducted within the music section of the Paris Bibliothéque Nationale. Quite a number of these works are recorded here for the first time, including Fontbonne’s Chasse aux papillons Op. 30, Louis Masson’s Trois pièces, Xavier Leroux’s Le Nil, Moret’s Nuit de langueur, nuit de mensonge, Coedès-Mongin’s Suite Op. 5, Lefort’s Sur l’Eau, and Guilmant’s Romance sans paroles Op. 85. To quote Filippo Mazzoli, these are ‘evocative titles, like the music they feature. They are positive sensations that precisely reflect the years in which they were composed [and they express] the desire for well-being, and the desire to always be proactive and positive.’

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