Composer: Domenico Zipoli
Performer: Marco Brescia
Audio CD
Number of Discs: 1
Format: FLAC (tracks)
Label: Paraty
Release: 2020
Size: 1.39 GB
Recovery: +3%
Scan: yes
Sonate d’Intavolatura per Organo e Cimbalo, Op. 1
01. I. Toccata in Re Minore
02. II. Verso I in Re Minore
03. III. Verso II in Re Minore
04. IV. Verso III in Re Minore
05. V. Verso IV in Re Minore
06. VI. Canzona in Re Minore
07. VII. All’Elevazione in Do Maggiore
08. VIII. All’Offertorio in Do Maggiore
09. IX. Verso I in Do Maggiore
10. X. Verso II in Do Maggiore
11. XI. Verso III in Do Maggiore
12. XII. Verso IV in Do Maggiore
13. XIII. Canzona in Do Maggiore
14. XIV. All’Elevazione in Fa Maggiore
15. XV. Al Post Comunio in Fa Maggiore
16. XVI. Verso I in Fa Maggiore
17. XVII. Verso II in Fa Maggiore
18. XVIII. Verso III in Fa Maggiore
19. XIX. Verso IV in Fa Maggiore
20. XX. Canzona in Fa Maggiore
21. XXI. Pastorale in Do Maggiore
22. XXII. Verso I in Mi Minore
23. XXIII. Verso II in Mi Minore
24. XXIV. Verso III in Mi Minore
25. XXV. Verso IV in Mi Minore
26. XXVI. Canzona in Mi Minore
27. XXVII. Verso I in Sol Minore
28. XXVIII. Verso II in Sol Minore
29. XXIX. Verso III in Sol Minore
30. XXX. Verso IV in Sol Minore
31. XXXI. Canzona in Sol Minore
Manuscript, Sones mo organo, San Rafael de Velasco, Bolivia
32. Tocada
33. Obra de I tono
34. Príncipe
35 .Retirada del Emperador de los dominios de España
36 .Primavera
37. Folías
The present album—the first recording made on the historic organ Almeida e Silva of Diamantina (1787), state of Minas Gerais, Brazil—consists of the complete organ works published by Domenico Zipoli (Prato, Italy, 1688 – Córdoba, Argentina, 1726) in his Sonate d’Involatura per Organo e Cimbalo (Rome, 1716), besides some works attributed to the composer from the manuscript Sones mo organo (1746), a miscellany of keyboard works from the Jesuit mission of San Rafael de Velasco, Bolivia. The Chiquitos’ works selected for the present recording were very likely disseminated by priest Martin Schmid. Even if not effectively composed by Zipoli, they do reveal a clear stylistic influence of the composer who passed away in the Córdoba missions, where Schmid was in 1729 before leading to the Chiquitanía. The repertoire presented in this album follows a historically informed approach seeking a commitment between the performance traditions from Italy and Spain of the first half of the 18th century, using for this purpose an 18th century sound source of autochthone Brazilian construction, of which the aesthetical characteristics led to a conscious performance of a Zipoli with a pronounced Ibero-American accent.