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Home » Classical Downloads » Leila Schayegh, Václav Luks: Josef Mysliveček – Violin Concertos, Sinfonia, Ouverture (FLAC)

Leila Schayegh, Václav Luks: Josef Mysliveček – Violin Concertos, Sinfonia, Ouverture (FLAC)

Leila Schayegh, Václav Luks: Josef Mysliveček - Violin Concertos, Sinfonia, Ouverture (FLAC)
Leila Schayegh, Václav Luks: Josef Mysliveček – Violin Concertos, Sinfonia, Ouverture (FLAC)

Composer: Josef Mysliveček
Performer: Leila Schayegh
Orchestra: Collegium 1704
Conductor: Václav Luks
Format: FLAC (tracks)
Label: Accent
Catalogue: ACC24336
Release: 2018
Size: 362 MB
Recovery: +3%
Scan: yes

Violin Concerto in D major
01. I. Allegro
02. II. Larghetto
03. III. Allegro

Symphony in E-Flat Major
04. I. Spiritoso
05. II. Andantino
06. III. —

Violin Concerto in E major
07. I. —
08. II. —
09. III. Presto

Overture No. 2 in A Major
10. I. Allegro von brio
11. II. Andante
12. III. Allegro

Violin Concerto in A major
13. I. Allegro moderato
14. II. —
15. III. Presto

Josef Myslivecek (1737-1781) also known as Il Divino Boemo (The Divine Bohemian) was one of the most celebrated opera composers in Italy in the 1770s. His instrumental works – symphonies, concertos, octets, quartets, and trios – were as popular as his vocal music. Certain features of his melodic style reflect his Bohemian origins, and Myslivecek’s influence on contemporaries was significant. A close friend of the young W. A. Mozart and a musical influence on him, Mozart described his character as “full of fire, spirit and life.”


All nine of the Myslivecek violin concertos that survive in complete form were probably written in a short period during the late 1760s and early 1770s when the composer maintained close contacts with the city of Padua and the composer and violinist Giuseppe Tartini. As a representative of Italian traditions that extended back to the early eighteenth century, Myslivecek’s violin concertos are all cast in three movements of the pattern ‘fast-slow-fast’.


“From this music one can hear that the author was also a superb opera composer: the quickly alternating themes are well defined in character, whether sounding serious or boisterous, pleading or alluring, questioning or majestic, friendly or imperious. Figuratively, we find ourselves on the opera stage.” (Leila Schayegh)

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