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Janitsch – Rediscoveries from the Sara Levy Collection (24/96 FLAC)

Janitsch - Rediscoveries from the Sara Levy Collection (24/96 FLAC)
Janitsch – Rediscoveries from the Sara Levy Collection (24/96 FLAC)

HiRes FLAC

Composer: Johann Gottlieb Janitsch
Orchestra: Tempesta di Mare
Format: FLAC (tracks)
Label: Chandos
Catalogue: CHAN0820
Release: 2018
Size: 1.32 GB
Recovery: +3%
Scan: yes

Sonata da chiesa in A Minor, Op. 7 No. 2
01. I. Adagio di molto
02. II. Fuga. Alla breve
03. III. Vivace

Sonata da camera in D Minor, Op. 3 No. 14
04. I. Largo
05. II. Allegro non molto
06. III. Vivace

Sonata da camera in E-Flat Major, Op. 6 No. 35
07. I. Andante
08. II. Allegro ma non troppo
09. III. Allegro moderato – Tempo di polacca – Lento

Sonata da camera in G Minor, Op. 4 No. 21
10. I. Largo. Mestoso
11. II. Allegretto
12. III. Melodia. Adagio ma non troppo “O Haupt voll Blut und Wunden”
13. IV. Vivace

Ouverture grosso in G Major
14. I. Largo – Alla breve
15. II. Larghetto
16. III. Alla breve
17. IV. Allegro

The Philadelphia-based baroque orchestra Tempesta di Mare here reveals an unparalleled musical legacy, presenting long forgotten works by the German baroque composer Johann Gottlieb Janitsch, confined for centuries to unexamined archives.


The works formed part of an enormous music collection which belonged to Sara Levy, the great-aunt of Felix Mendelssohn. She was a distinguished harpsichordist, collector, and influential figure in the musical life of late-eighteenth- and early-nineteenth-century Berlin. Removed from the Berlin Sing-Akademie towards the end of World War II, her musical library was for many decades considered lost or destroyed. It was unearthed in Kiev only in 1999 and returned to Germany in 2001, where it is now again accessible to the public.


While there can be no doubt that the instrumental oeuvre of Janitsch matched the diversity of that of some of his more prominent Berlin colleagues, the emphasis of his compositional output lay on chamber music, especially Quadros, four of which are featured here. The typical, prevailing dialogic structure of the Ouverture grosso highlights the influence which thematic play had on the rest of his work.

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