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Handel and Haydn Society: Mozart – Mass in C Minor (FLAC)

Handel and Haydn Society: Mozart - Mass in C Minor (FLAC)
Handel and Haydn Society: Mozart – Mass in C Minor (FLAC)

Composer: Wolfgang Amadeus Mozart
Performer: Gillian Keith, Tove Dahlberg, Thomas Cooley, Nathan Berg
Orchestra: Handel and Haydn Society
Conductor: Harry Christophers
Format: FLAC (tracks)
Label: Coro
Catalogue: COR16084
Release: 2010
Size: 243 MB
Recovery: +3%
Scan: cover

Mass in C Minor, K 427
01. Kyrie
02. Gloria – Gloria in excelsis Deo
03. Gloria – Laudamus te
04. Gloria – Gratias
05. Gloria – Domine Deus
06. Gloria – Que tollis
07. Gloria – Quoniam
08. Gloria – Jesu Christe
09. Gloria – Cum Sancto Spiritu
10. Credo
11. Credo – Et incarnatus est
12. Sanctus
13. Sanctus – Osanna
14. Benedictus

In the autumn of 2010 CORO will release a brand new recording of Mozart’s Mass in C minor featuring Harry Christophers in his role as Artistic Director and conductor of the Handel and Haydn Society – America’s oldest continuously performing orchestra and chorus – with celebrated soloists, including Gillian Keith.


In September 2008 Harry Christophers was appointed Artistic Director of Boston’s internationally-acclaimed Handel and Haydn Society. Founded in 1815, the Society premiered key works by Handel, Bach and Haydn in America, has won a Grammy Award and also has a place in the American Classical Music Hall of Fame. Harry has worked with the Society since 2006 and his inaugural concert as Artistic Director was in December 2009 with Handel’s Messiah.


Mozart’s Mass in C minor is one of the best-known and most widely performed of the composer’s mass settings and is generally considered to be one of his greatest works and, as such, is often referred to as the ‘Great Mass’. Unlike many of his other works the Mass was not a commission and Mozart wrote it purely for his own pleasure. It is a remarkable union of musical vision and religious text and draws on Mozart’s skill for drama that made his operatic works such a phenomenal success.


The Mass in C minor rightly justifies its illustrious place in the pantheon of sacred choral music.


“Onstage, Christophers has what it takes to inspire the Society’s fine musicians.” The Wall Street Journal

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