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Haas, Reger, Renner – Works for Violin and Organ (24/96 FLAC)

Haas, Reger, Renner - Works for Violin and Organ (24/96 FLAC)

Haas, Reger, Renner – Works for Violin and Organ (24/96 FLAC)

Composer: Joseph Haas, Max Reger, Josef Renner
Performer: Sreten Krstić, Ludwig Schmitt, Norbert Düchtel
Format: FLAC (tracks)
Label: TYZart
Release: 2021
Size: 918 MB
Recovery: +3%
Scan: cover

01. Haas: Kirchensonate No. 1 in F Major, Op. 62 No. 1

Haas: 40 Choralfughetten (Excerpts)
02. No. 33, Valet will ich dir geben
03. No. 31, Straf mich nicht
04. No. 26, O Jesu Christ, meines Lebens Licht – Ach bleib bei uns, Herr Jesu Christ

05. Reger: Aria nach dem Choralvorspiel “O Mensch bewein dein Sünde groß” (After J.S. Bach’s BWV 622) [Arr. for Violin & Organ]
06. Haas: Praeludium No. 11 in E Major

Renner: Organ Suite No. 1, Op. 56
07. II. Canzone (Arr. for Violin & Organ)

Reger: Tone Poems (4) after Arnold Böcklin, Op. 128
08. No. 1, Der geigende Eremit (Arr. for Violin & Organ)

Haas: 40 Choralfughetten (Excerpts)
09. No. 3, Aus meines Herzens Grunde
10 .No. 4, Aus tiefer Not schrie ich zu dir
11. No. 13, Herzliebster Jesu

12. Renner: Interludium in F Major, Op. 85

Haas: 40 Choralfughetten (Excerpts)
13. No. 21, Nun danket alle Gott
14. No. 17, Liebster Jesu, wir sind hier
15. No. 34, Vom Himmel hoch, da komm ich her
16. No. 35, Was Gott tut, das ist wohlgetan

17. Haas: Kirchensonate No. 2 in D Minor, Op. 62 No. 2

One can only do justice to Joseph Haas’ oeuvre by judging it by what he himself said about the purpose of music: ”Music is to delight, not offend; it is to shake up, not shatter; it is to refine, not trivialize”. Together with Paul Hindemith and Heinrich Burkard, Joseph Haas co-founded the “Donaueschinger internationale Kammermusikfeste für Neue Musik” (Donaueschingen International Chamber Music Festival for New Music) in 1921. The works show the mastery of variation and the peculiarities of the compositional style of Joseph Haas.

Joseph Renner studied organ and composition with Joseph Rheinberger in Munich and worked mainly in Regensburg/Bavaria. He was particularly appreciated by his contemporaries as a composer of spiritual and organ works. Der geigende Eremit from Max Reger’s Böcklin-Suite as program music can be heard on this album, as one of his best-known works, and from the point of view of its content it is almost suitable for a version for violin and organ.

These works for violin and organ, and organ solo, by Joseph Haas (1879—1960), Max Reger (1873—1916) and Josef Renner, jun. (1868—1934) are very interesting musical oeuvres, interpreted by internationally well-known artists Sreten Krstic, Violin, Norbert Düchtel and Ludwig Schmitt, Organ.

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