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Eduardo del Pueyo: Beethoven – Complete Piano Sonatas (FLAC)

Eduardo del Pueyo: Beethoven - Complete Piano Sonatas (FLAC)
Eduardo del Pueyo: Beethoven – Complete Piano Sonatas (FLAC)

Composer: Ludwig Van Beethoven
Performer: Eduardo Del Pueyo
Number of Discs: 9
Format: FLAC (tracks)
Label: Pavane
Catalogue: ADW7073
Release: 2017
Size: 2.33 GB
Recovery: +3%
Scan: yes

CD 01
Piano Sonata No. 1 in F Minor, Op. 2 No. 1
01. I. Allegro
02. II. Adagio
03. III. Menuetto (Allegretto)
04. IV. Prestissimo

Piano Sonata No. 2 in A Major, Op. 2 No. 2
05. I. Allegro vivace
06. II. Largo appassionato
07. III. Scherzo (Allegretto)
08. IV. Rondo (Grazioso)

Piano Sonata No. 3 in C Major, Op. 2 No. 3
09. I. Allegro con brio
10. II. Adagio
11. III. Scherzo (Allegro)
12. IV. Allegro assai

CD 02
Piano Sonata No. 5 in C Minor, Op. 10 No. 1
01. I. Allegro molto e con brio
02. II. Adagio molto
03. III. Finale (Prestissimo)

Piano Sonata No. 6 in F Major, Op. 10 No. 2
04. I. Allegro
05. II. Allegretto
06. III. Presto

Piano Sonata No. 7 in D Major, Op. 10 No. 3
07. I. Presto
08. II. Largo e mesto
09. III. Menuetto (Allegro)
10. IV. Rondo (Allegro)

Piano Sonata No. 19 in G Minor, Op. 49 No. 1
11. I. Andante
12. II. Rondo (Allegro)
13Piano Sonata No. 20 in G Major, Op. 49 No. 2: I. Allegro ma non troppo
14Piano Sonata No. 20 in G Major, Op. 49 No. 2: II. Tempo di menuetto

CD 03
Piano Sonata No. 4 in E-Flat Major, Op. 7
01. I. Allegro molto e con brio
02. II. Largo con gran espressione
03. III. Allegro
04. IV. Rondo (Poco allegretto e grazioso)

Piano Sonata No. 8 in C Minor, Op. 13 “Pathétique”
05. I. Grave – Allegro di molto e con brio
06. II. Adagio cantabile
07. III. Rondo (Allegro)

Piano Sonata No. 9 in E Major, Op. 14 No. 1
08. I. Allegro
09. II. Allegretto
10. III. Rondo (Allegro comodo)

Piano Sonata No. 10 in G Major, Op. 14 No. 2
11. I. Allegro
12. II. Andante
13. III. Scherzo (Allegro assai)

CD 04
Piano Sonata No. 11 in B-Flat Major, Op. 22
01. I. Allegro con brio
02. II. Adagio con molto espressione
03. III. Menuetto
04. IV. Rondo (Allegretto)

Piano Sonata No. 12 in A-Flat Major, Op. 26 “Marcia funebre”
05. I. Andante con variazioni
06. II. Scherzo (Allegro molto)
07. III. Maestoso andante, marcia funebre sulla morte d’un eroe
08. IV. Allegro

Piano Sonata No. 15 in D Major, Op. 28 “Pastorale”
09. I. Allegro
10. II. Andante
11. III. Scherzo (Allegro vivace)
12. IV. Rondo (Allegro ma non troppo)

CD 05
Piano Sonata No. 13 in E-Flat Major, Op. 27 No. 1 “Quasi una fantasia”
01. I. Andante – Allegro
02. II. Allegro molto e vivace
03. III. Adagio con espressione
04. IV. Allegro vivace

Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 “Moonlight”
05. I. Adagio sostenuto
06. II. Allegretto
07. III. Presto agitato

Piano Sonata No. 21 in C Major, Op. 53 “Waldstein”
08. I. Allegro con brio
09. II. Introduzione (Adagio molto)
10. III. Rondo (Allegretto moderato – Prestissimo)

Piano Sonata No. 22 in F Major, Op. 54
11. I. In tempo di menuetto
12. II. Allegro – Più Allegro

CD 06
Piano Sonata No. 16 in G Major, Op. 31 No. 1
01. I. Allegro vivace
02. II. Adagio grazioso
03. III. Rondo (Allegretto – Presto)

Piano Sonata No. 17 in D Minor, Op. 31 No. 2 “The Tempest”
04. I. Largo – Allegro
05. II. Adagio
06. III. Allegretto

Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3 “The Hunt”
07. I. Allegro
08. II. Scherzo (Allegro vivace)
09. III. Menuetto (Moderato e grazioso)
10. IV. Presto con fuoco

CD 07
Piano Sonata No. 23 in F Minor, Op. 57 “Appassionata”
01. I. Allegro assai – Più Allegro
02. II. Andante con moto
03. III. Allegro ma non troppo

Piano Sonata No. 24 in F-Sharp Major, Op. 78 “For Therese”
04. I. Adagio cantabile – Allegro ma non troppo
05. II. Allegro vivace

Piano Sonata No. 25 in G Major, Op. 79
06. I. Presto alla tedesca
07. II. Andante
08. III. Vivace

Piano Sonata No. 26 in E-Flat Major, Op. 81a “Les adieux”
09. I. Das Lebewohl (Adagio)
10. II. Abwesenheit (Andante espressivo)
11. III. Das Wiedersehen (Vivacissimamente)

Piano Sonata No. 27 in E Minor, Op. 90
12. I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
13. II. Nicht zu geschwind und sehr singbar vorzutragen

CD 08
Piano Sonata No. 28 in A Major, Op. 101
01. I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo)
02. II. Lebhaft, marschmäßig (Vivace alla marcia)
03. III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) – Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro)

Piano Sonata No. 29 in B-Flat Major, Op. 106 “Hammerklavier”
04. I. Allegro
05. II. Scherzo (Assai vivace)
06. III. Adagio sostenuto – Appasionato e con molto sentimento
07. IV. Largo – Allegro risoluto

CD 09
Piano Sonata No. 30 in E Major, Op. 109
01. I. Vivace, ma non troppo – Adagio espressivo
02. II. Prestissimo
03. III. Andante, molto cantabile ed espressivo

Piano Sonata No. 31 in A-Flat Major, Op. 110
04. I. Moderato cantabile molto espressivo
05. II. Allegro molto
06. III. Adagio ma non troppo. Fuga (Allegro ma non troppo)

Piano Sonata No. 32 in C Minor, Op. 111
07. I. Maestoso – Allegro con brio ed appassionato
08. II. Arietta (Adagio molto semplice e cantabile)

On the occasion of the thirtieth anniversary of the death of Eduardo del Pueyo (Zaragoza 29 August 1905 – Brussels 9 November 1986) Pavane is pleased and very proud to release this collection of 32 piano sonatas by Ludwig van Beethoven, recorded by the Aragonese pianist in 1976–77, in a fully remastered sound completed by worldclass sound engineers (Equus, Brussels). We are supremely confident that it will be one of the most enjoyable complete sonata recordings on release. Eduardo del Pueyo was a great pianist and teacher, meticulous in his reading of scores and extremely respectful of Beethoven’s indications. Above all, he was determined to stop any formulaic interpretation creeping into his performances.


The famous French reviewer Jean-Charles Hoffelé wrote about him: “Beethoven’s sonatas have been the backbone of Eduardo del Pueyo’s musical thinking: form at the service of improvisation, multiplicity instead of rules, abandonment of rhetorical method in favor of invention and, above all, the predominance of the rhythmic element over the melodic, shape the primordial elements of his art. From the beginning he introduced Beethoven’s sonatas to his programme and imposed a new style – bright and with so many different levels […] his Beethoven, which sounded so bright, so new, so high, so brilliant and so decisive. This unusual artist was one of the twentieth century’s greatest pianists and a first class musician.”

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