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Cordes: Hieronymus Praetorius – Missa in Festo Sanctissimae Trinitatis (FLAC)

Cordes: Hieronymus Praetorius - Missa in Festo Sanctissimae Trinitatis (FLAC)

Composer: Hieronymus Praetorius
Performer: Manfred Cordes Volker Jänig, Weser-Renaissance Bremen
Conductor: Manfred Cordes
Format: FLAC (tracks)
Label: CPO
Catalogue: 777954-2
Release: 2018
Size: 367 MB
Recovery: +3%
Scan: yes

01. Praetorius: Adesto unus Deus

Praetorius: Missa in Festo Sanctissimae Trinitatis
02. I. Kyrie eleison
03. II. Christe eleison
04. III. Kyrie eleison
05. IV. Gloria in excelsis Deo

06. Praetorius: Salutatio and Collecta
07. anon.: Gradualia: Domine, Dominus noster
08. Praetorius: O lux beata Trinitas

Praetorius: Missa in Festo Sanctissimae Trinitatis
09. V. Credo. Wir gläuben all an einen Gott

10. Praetorius: Benedicam Dominum in omni tempore
11. Praetorius: Praefatio ‘Dominus vobiscum’

Praetorius: Missa in Festo Sanctissimae Trinitatis
12. VI. Sanctus, Benedictus “Sanctus Dominus Deus Sabaoth”

13. Praetorius: Pater noster
14. Praetorius: Vater unser, Einsetzungsworte

Praetorius: Missa in Festo Sanctissimae Trinitatis
15. VII. Agnus Dei

16. Praetorius: Salutatio, Kollekte, Segen Der Herr sey mit euch
17. Praetorius: Te Deum Patrem ingenitum

‘Missa in Festo Sanctissimae Trinitatis’ presents the reconstruction of a main religious service in one of the principal Hamburg churches at the beginning of the seventeenth century; it consists of works for ensemble and organ by the composer Hieronymus Praetorius, who was the organist at the Church of St. James in Hamburg from 1582 until his death in 1629. In between, the liturgical components of the Mass that were performed monophonically are heard as they have would have been in the Hanseatic city of Hamburg. The search for a suitable instrument led to the choice of the swallow’s nest organ in St. Mary’s Church in Lemgo; it may be regarded as a model example of the Northern German organ building tradition and has a mean-tone temperament ideal for the period of composition, characteristics, and stylistics of the selected repertoire.

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