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Christoph Ullrich: Scarlatti – Complete Piano Sonatas vol.7 (24/96 FLAC)

Christoph Ullrich: Scarlatti – Complete Piano Sonatas vol.7 (24/96 FLAC)
Christoph Ullrich: Scarlatti – Complete Piano Sonatas vol.7 (24/96 FLAC)

HiRes FLAC

Composer: Domenico Scarlatti
Performer: Christoph Ullrich
Number of Discs: 2
Format: FLAC (tracks)
Label: Tacet
Catalogue: TACET271
Release: 2022
Size: 2.34 GB
Recovery: +3%
Scan: yes

CD 01
01. Keyboard Sonata in D Major, Kk. 236
02. Keyboard Sonata in D Major, Kk. 237
03. Keyboard Sonata in F Minor, Kk. 238
04. Keyboard Sonata K239 in F minor
05. Keyboard Sonata in G Major, Kk. 240
06. Keyboard Sonata in G Major, Kk. 241
07. Keyboard Sonata in C Major, Kk. 242
08. Keyboard Sonata in C Major, Kk. 243
09. Keyboard Sonata in B Major, Kk. 244
10. Keyboard Sonata in B Major, Kk. 245
11. Keyboard Sonata in C-Sharp Minor, Kk. 246
12. Keyboard Sonata K247 in C sharp minor
13. Keyboard Sonata in B-Flat Major, Kk. 248
14. Keyboard Sonata in B-Flat Major, Kk. 249
15. Keyboard Sonata in C Major, Kk. 250
16. Keyboard Sonata in C Major, Kk. 251

CD 02
01. Keyboard Sonata in E-Flat Major, Kk. 252
02. Keyboard Sonata in E-Flat Major, Kk. 253
03. Keyboard Sonata in C Minor, Kk. 254
04. Keyboard Sonata in C Major, Kk. 255
05. Keyboard Sonata K256 in F major
06. Keyboard Sonata in F Major, Kk. 257
07. Keyboard Sonata in D Major, Kk. 258
08. Keyboard Sonata K259 in G major
09. Keyboard Sonata in G Major, Kk. 260
10. Keyboard Sonata in B Major, Kk. 261
11. Keyboard Sonata in B Major, Kk. 262
12. Keyboard Sonata in E Minor, Kk. 263
13. Keyboard Sonata in E Major, Kk. 264
14. Keyboard Sonata in A Minor, Kk. 265

At the beginning of 2021, a gap was found in the renovations at the church, where the previous volumes of the complete recording of all 555 of Domenico Scarlatti’s piano sonatas, with the exception of number 6, were recorded. The present seventh publication with the Sonatas K. 236 to K. 265 was thus surprisingly made in the familiar surroundings again. Is it perhaps the finest set to date?


The pianist Christoph Ullrich is always on the lookout for a lively and unconventional engagement with the audience. This leads to interesting and contrasting solo and chamber music programs, but also to the development of new program forms. The thematically very dense musical-literary programs with the BonaNox ensemble, the music theater-related concepts for children’s concerts as part of laterna musica and his concert idea “Alchemy of Sound” stand for this.

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