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Chailly: Shostakovich – The Dance Album (FLAC)

Chailly: Shostakovich - The Dance Album (FLAC)

Chailly: Shostakovich – The Dance Album (FLAC)

Composer: Dmitry Shostakovich
Orchestra: Philadelphia Orchestra
Conductor: Riccardo Chailly
Format: FLAC (tracks)
Label: Decca
Catalogue: 4525972
Release: 1996
Size: 323 MB
Recovery: +3%
Scan: cover

Moscow-Cheryomushki, Op.105 – Suite
01. 1. A spin through Moscow
02. 2. Waltz
03. 3. Dances (Polka – Galop)
04. 4. Ballet

Ballet Suite No. 5 from ‘The Bolt’ Op. 27a
05. 1. Introduction
06. 2. Polka
07. 3. Variations
08. 4. Tango
09. 5. Intermezzo
10. 6. Finale

The Gadfly, Op.97 – Suite
11. 1. Overture
12. 2. The Cliff
13. 3. Youth (Romance)
14. 7. The slap in the face
15. 9. Barrel organ
16. 13. Contredanse
17. 14. Galop
18. 16. The market place
19. 17. Escape
20. 18. Montanelli
21. 19. Finale
22. 20. The Austrians
23. 23. Gemma’s Room

Although entitled ‘The Dance Album’, interestingly only one of the items on this disc (The Bolt) is actually derived from music conceived specifically for dance. However, what the disc reveals is that Shostakovich’s fondness for dance forms frequently found expression in his other theatrical/ film projects.


The world premiere recording of a suite of four episodes from the 1959 operetta Moscow-Cheryomushki will be of particular interest to Shostakovich devotees. Despite the somewhat mundane plot, the score produces some surprisingly attractive and entertaining numbers, most notably perhaps the invigorating ‘A spin through Moscow’ and the ‘Waltz’. For the suite from the ballet The Bolt Chailly brings us the less frequently heard 1934 version in which the composer dropped two of the eight numbers and changed some of the titles in order to deflect from the story-line of the ballet. Lots of parody and plenty of Shostakovich with his tongue planted firmly in his cheek is what we get, and if this aspect of the composer’s output appeals then you’ll certainly enjoy Chailly’s and his players’ spirited and colourfully buoyant performances of this energetic score.


Less familiar light is also shed on the music from the film The Gadfly which is heard here in a version which brings together 13 of the score’s episodes and preserves Shostakovich’s original orchestration, as opposed to the suite prepared and reorchestrated by Levin Atovmyan. All the performances on the disc are superbly delivered and the recorded sound is excellent.

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