Composer: Franz Joseph Haydn
Performer: Jean-Efflam Bavouzet
Format: FLAC (tracks)
Label: Chandos
Release: 2021
Size: 1.1 GB
Recovery: +3%
Scan: yes
Piano Sonata No. 10 in C major, Hob.XVI:1
01. I. Allegro
02. II. Andante
03. III. Menuet – Trio
Piano Sonata No. 44 in F major, Hob.XVI:29
04. I. Moderato
05. II. Adagio
06. III. Tempo di menuet
Piano Sonata No. 41 in A major, Hob.XVI:26
07. I. Allegro moderato
08. II. Menuetto al rovesico – Trio
09. III. Finale. Presto
Piano Sonata No. 2 in C major, Hob.XVI:7
10. I. Allegro moderato
11. II. Menuet – Trio
12. III. Finale
Piano Sonata No. 52 in G major, Hob.XVI:39
13. I. Allegro con brio
14. II. Adagio
15. III. Prestissimo
Piano Sonata No. 53 in E minor, Hob.XVI:34
16. I. Presto
17. II. Adagio
18. III. Finale. Vivace molto
Following his acclaimed recording of Beethoven’s concertos with the Swedish Chamber Orchestra, Jean-Efflam Bavouzet returns to his exploration of Haydn’s sonatas, described by the magazine Gramophone as ‘a major modern recording landmark in the Haydn discography’. As in previous instalments, Bavouzet has programmed sonatas from Haydn’s early, middle, and late periods, giving added interest to the recital. Sonatas Nos 10 and 2, dating from the 1750s and ’60s respectively, share the key of C major, but differ in form. The short No. 2 was almost certainly written for pupils whilst Haydn was working as a teacher. No. 10 is more ambitious and extensive. Sonatas Nos 41 and 44 date from the early 1770s and show some influence from C.P.E. Bach and the Sturm und Drang movement. More virtuosic than the earlier sonatas, in these the trademark humour of Haydn is also more evident. Sonatas Nos 52 and 53 were composed a decade later and are conspicuously more demanding, technically and musically. As in the case of the previous volumes, this album was recorded at Potton Hall in Suffolk, on a Yamaha CFX Concert Grand Piano.