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Aleksandra Kurzak – Mozart Concertante (24/96 FLAC)

Aleksandra Kurzak - Mozart Concertante (24/96 FLAC)
Aleksandra Kurzak – Mozart Concertante (24/96 FLAC)

HiRes FLAC

Composer: Wolfgang Amadeus Mozart
Performer: Aleksandra Kurzak, Yuuki Wong, Tomasz Wabnic
Orchestra: Morphing Chamber Orchestra
Format: FLAC (tracks)
Label: Aparté
Catalogue: AP265
Release: 2021
Size: 1.27 GB
Recovery: +3%
Scan: yes

01. Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte)
02. Mitridate, Re di Ponto, K. 87: Lungi da te, mio bene
03. La clemenza di Tito, K. 621: Ecco il punto…non più di fiori
04. Zaide, K. 344 / 336b: Ruhe sanft, mein holdes Leben
05. Cosi fan tutte, K. 588: Ei parte…Per pieta
06. Die Entführung aus dem Serail, K. 384: Welcher Kummer.. Traurigkeit ward mir zum Lose

Sinfonia concertante for violin, viola and orchestra in E-Flat Major, K. 364 / 320d
07. I. Allegro maestoso
08. II. Andante
09. III. Presto

The Polish soprano Aleksandra Kurzak needs no introduction. After having dazzled the opera stage and the discographic world both in duets and solo, she has devoted the whole of her new recording to Mozart. From The Magic Flute to Zaide, Mitridate and La Clemenza di Tito, the soprano embraces with equal talent the most famous arias of the master of Salzburg… and the verve of her concert presence.


Far from limiting herself to just the lyrical attractiveness, she reveals its depth and brilliance by exploring the richness of the dialogue between voice and instruments: the brilliant musicians of the Morphing Chamber Orchestra of Vienna and Aleksandra Kurzak answer to each other, imitate and seek out each other. With them the arias of Mozart become the setting for a theatrical performance that is intimate, droll, and incredibly lively, in which the instruments have their own role to play in the unfolding drama. As an echo to this is added the Sinfonia concertante, for violin, viola and orchestra, one of the composer’s masterpieces in the genre, featuring the international soloists Yuuki Wong and Tomasz Wabnic.

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